Kage Kaisen
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Kage Kaisen Revival!

January 19th 2010, 6:45 pm by Kensei

.SITE RENOVATION.

To all our members,

I (Kensei), have decided to renovate the site, which has remained dead since our head Administrator, Baraku, went absent. There will be a new set of rules, a new skin, new profile formats...

Basically, we're starting the site over.

But don't be alarmed. For those of you who choose to return, you will not have to rewrite your application, or change it to the present system. Your applications are still there, resting in the Filing Cabinet -- feel free and ask the Staff to repost it if it has already been approved, or ask them to read over the application and approve it, then move it to the Approved sub-boards.

If you do not wish to roleplay on the site any longer, or the renovation does not appeal to you, all you have to do is tell the Staff in a PM ; your account will be removed without any questions.

We apologize for any inconveniences, and thank you all for your patience and cooperation.


Your loving (new) head Admin,
Kensei


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Post by lynk2510 March 19th 2011, 8:34 am

Frank Scheck, writing in The Hollywood Reporter, said the film presented an enthralling story that "resembles a taut ... political thriller",[91] and Roger Ebert in the Chicago Sun-Times called it a "remarkable documentary" full of "astonishing shots".[92] Both critics said the film was made so through the filmmakers' unique inside access to the events at the palace with Ebert calling that aspect "unique in film history".[91][92] Although Ebert was generally very praising of the film, he criticised the way in which Chávez's opponents were portrayed,[92] while Shenk faulted the lack of historical context; however, he said this was balanced by the film's "brevity and succinctness".[91] In Variety, Scott Foundas wrote that the film was a "superior example of fearless filmmakers in exactly the right place at the right time", and likely the best of a string of documentaries that have shone the light on US involvement in South America.[93] He had praise for the camera work and editing, and said the film was a "startling record" that reached "another level" when events shifted to the presidential palace.[93] He cited these scenes—along with those of the protesters' clashing—as ones that "spark with a vibrant tension and uncertainty".[93]
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